Sunday, March 30, 2014

Album Of The Week: Hands Like Houses - Unimagine

Hello and happy Sunday my fellow music lovers! I recently started reading the Divergent series (I'll probably review it in a video soon), which makes me forget everything. When I mean everything, food is included, so I almost forgot to upload a review today. Last night I got the new Punk Goes 90's, on which I found a band called Hands Like Houses. They covered Torn, originally by Natalia Imbruglia, and it was the only song on this album I actually liked, so I proceeded to have a closer listen to them. Due to this, I discovered Unimagine, the band's current album, which I'll talk about in this post.




I haven't listened to Hands Like Houses before, so I only had a slight idea of what to expect. I was honestly prepared for some breakdowns and screaming, but nothing like that happened. In fact, I got some new, refreshing rock songs.
I really like the dramatic touch with which Developments kicks off the record. It actually inspires me a lot for the stories I write, and I'm very thankful for that.
The first line of the second song Introduced Species is something I thought to myself a million times during the last few years. I never had a place where I had the feeling that I belonged, that I could be the way I was, until I stumbled into this part of the music scene. I haven't met a single person who shares my taste in music and judges me for my looks or my "depression" or whatever people judge me for, I stopped caring a while ago, thanks to this music. 
What I really like about Hands Like Houses is the energy they convey, and how this energy makes me feel like there's nothing I couldn't do, for example in Shapeshifters, when he sings "We will be unbreakable!"
With Oceandust, the band shows that they can be quiet and sensitive as well. The drums and any electric instruments leave and are replaced by a piano and acoustic guitars during the biggest part of the song, but Oceandust still possesses a tiny rock part when an e-guitar appears for a couple of seconds. 
The last four songs on Unimagine form a great ending of a brilliant record. The very last song, A Fire On A Hill, closes the record and if you weren't fully convinced of this band and their work until this point, you will like them after the last tune faded. 


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